You are currently browsing the tag archive for the ‘attack of the moon zombies’ tag.

Monday, October 21, 2013

Attack of the Moon Zombies (2011)

REVIEW BY: Jeffrey Long


Company: Saint Euphoria Pictures

Runtime: 100 mins

Format: DVD

Plot: A mysterious plant found on the surface of the moon wreaks havoc on the Jackson Lunar Base when its spores change the base’s crew into leafy, undead creatures!

Review: Attack of the Moon Zombies was the Christopher R. Mihm movie that initially grabbed my interest and, by doing some light research into it, alerted me to the entire Mihmiverse Collection. I stumbled upon a thumbnail picture from this movie while looking through Google Pictures for some other B-Movie to use in my review of that one, and as soon as I saw the weirdly cheesy-looking plant-headed Moon Zombie picture I knew I had to find out what movie that was from and thus started my adventure into the Mihmiverse realm. However, once I ordered all the movies, even though this is the one that I was most interested in checking out, I decided to watch them all in release order so that’s why it’s taken me so long to get to my most anticipated one, first sitting through, and enjoying on various levels, The Monster of Phantom Lake, It Came From Another World!, Cave Women on Mars, Terror From Beneath The Earth, and Destination: Outer Space.

And I’m glad I did, because while (for the most part) the movies are stand-alone and you can watch them in any order that you choose, you get so much more out of them by watching them in release order. I say release order because in terms of chronology they jump around back and forth quite a bit, such as the case with this one, taking place in the future (as it may have been envisioned back in the 1950s – the gimmick of all these movies is that, while made now-ish, they’re made with the intent of having them act as if they were made in the black and white 1950s era of B-Movie filmmaking), this one taking place roughly around the timeframe of Cave Women on Mars and Destination: Outer Space, give or take a couple years.

This one is the longest Mihmiverse movie yet, clocking in at an hour and 40 minutes. Now as you may guess from some of my previous reviews, I kind of feel that almost-two hours is way too long for something like this, especially when it takes 40 minutes before we even begin the actual plot of the movie of people getting infected and the Moon Zombies start going around. A bit tighter of a pace in that first half and this movie would be 100% perfect. As it stands it’s only ‘Just About 100% perfect‘, which is still really damn good!
For the most part, Attack of the Moon Zombies deals with almost all-new characters. A lot of familiar faces for fans of these movies, but they’re playing brand new characters from what they played before. Playing the lead female character is Shannon McDonough, who fellow Mihmivites will recognize as the fiance-and-then-wife of Doctor Jackson from It Came From Another World! and a cameo appearance in Terror From Beneath The Earth. I was a bit harsh on her role in those movies, as I found the character she played a bit drab and boring, but after seeing her here I now know that was solely the way the character was written and it was not indicative of Ms. McDonough’s acting abilities because she owns this movie in every scene that she’s in. Within five minutes of being introduced to her new scientist character here, I was totally in love with her. Returning alongside her is also Daniel Sjerven from Cave Women on Mars and Terror From Beneath the Earth, this time playing a rude, childish, alcoholic pilot that still manages to retain a certain level of humor and charm about him, despite being the kind of character you probably wouldn’t like spending a whole lot of time around in real life. Also with them is Michael Kaiser who has been in all of these movies in small bit parts as well as the man behind the costume of I think almost every monster, creature, and humanoid alien to date, and Sid Korpi who played a minor role in Destination: Outer Space but here plays the person-in-charge on this Moon Base, Administrator Ripley. And yes, that is a very clear (and loved!) nod to the Alien franchise. The one person who does return and actually plays a previous character is Mike Cook reprising his role as Dr. Vincent Edwards from Terror From Beneath the Earth, a role I also previously found a bit dull and uninspired but actually really enjoyed this go-around. Also, he hasn’t visually aged a day in the 20+ years between that movie’s timeline and this one! Oh, the wonders of Movie Magic, I tells ya!
Actually, old character and new ones, old actors and new ones, out of all the Mihmiverse movies this one I think is the one that had me loving all the characters in record time and it wasn’t long into the movie before I started genuinely caring about what might happen to them. Sure, the movie has an overly-long 40 minute lead-up to the actual horrific events that make up the plot of the movie, but it uses that time really well to give us some good characterization on everyone and some nice story beats that pay off later in the movie. For instance, lead character Dr. Hacket (as played by Shannon McDonough) is in a relationship with another of the scientists on board and he keeps trying to propose to her but each and every time he does they keep getting interrupted at the last second before she can give her answer, a continuous and hilariously repetitive story beat that keeps playing out even well into the Moon Zombie infestation. Add to that the continuous complaints by some of the staff that there isn’t enough women on-board, Ripley missing the birth of her grandchild due to being on that base, and the sub-plot of Dr. Vincent Edwards’ looming retirement and they really give you enough meat to sink your teeth into for each and every one of these characters, no matter how large or small their role is.
The only issue I have in the character department, and it’s only a minor nitpick and in no way goes against my final score of the movie, but Daniel Sjerven’s perfectly sleazy pilot character drops out of the movie pretty early on to return to Earth, and during the thick of the infestation events of the movie the main cast are trying to survive long enough for him to return so they can leave the base and get the heck outta dodge, so having them constantly make reference to waiting on him, in addition to knowing what a familiar face Daniel Sjerven is to this series, I was fully expecting him to show up at the last minute and save the day, Han Solo style, but sadly we never do see him again, which was slightly disappointing especially since he never got that character redemption moment I was really hoping for. Even though this is a minor nitpick, it also works as a compliment as well because if these characters weren’t so likable and well-written, I wouldn’t have cared about wanting him to return at the end for a redemption moment to begin with.
Making us care for these characters this much actually ends up being a bit heartbreaking, seeing as how once the Moon Plant shoots its spoors out and finally turns the first person into a plant-headed Moon Zombie (which then in turn begins turning everyone else), it’s only a matter of time before most of the characters you’ve come to love bite it, and as much as I enjoyed spending time with everyone leading up to this portion of the movie, it’s really here till the end that it truly shines. Seeing as how the terror begins during the middle of the night when most of the crew is sleeping, there are some authentically creepy moments that play out here, such as a scene where one guy wakes up in his darkened room with no knowledge of what has started, and begins hearing some unknown thing banging savagely on his door, trying to get in to him. The claustrophobic feel of the base as the characters run around the maze-like hallways and run into various random Moon Zombies, either stand alone or in large groups, only adds to the creepy factor. Of course none of that would have been successful had it not been for the best creature designs we’ve seen yet in the Mihmiverse series, nor for the best set designs we’ve seen yet; Never once did I question that this was actually a real Lunar Base and these plant-headed Moon Zombies were a real threat – Within a few minutes of pressing Play I was sucked right in and I was right there alongside all these characters. Micro-Budget as this may be, it did just as good a job loosing me in its imagination as any bigger budget Hollywood movie could, and its this movie that best shows just how far Christopher R. Mihm has come, in addition to everyone who works with him, since the days of The Monster of Phantom Lake, and it shows best just how they’ve all evolved as filmmakers.
As with all the other movies in the Mihmiverse, this self-produced DVD is stacked right up with tons of excellent bonus content. There’s only one Blooper Reel instead of the usual two (but it has a really good length to it and is, just like all the others, simply laugh-out-loud hilarious), a trailer for the movie, a Photo Gallery of tons of Behind-the-Scenes photos, an introduction to the film by Horror Host Dr. Ivan Cryptosis, a half hour long featurette on the whole Mihmiverse itself, and the usual informative full length Audio Commentaries, one by just Christopher R. Mihm and a second more Technical Commentary by many of the Behind the Scenes folks.
Attack of the Moon Zombies is easily my favorite film by Christopher R. Mihm to date. Sure, it’s a bit longer then I’d like and takes it’s sweet time getting anywhere, but it also uses that time to perfectly make us get to know and care about our cast of characters, which is actually a really smart move here since it made it all the more heartbreaking when many of them get ripped away from us during the events of the second half of the movie when the infection has broken out and the Lunar Base is overran with 30+ deadly Moon Zombies shuffling around the dark, empty maze-like corridors. The movie can also double as a fun ‘Find The References’ game, as it’s chock full of references to classic sci-fi/horror flicks like Alien, The Thing From Another World, It! The Terror From Beyond Space, and any number of zombie movies to just point out a few. Plus there’s also tons of inside jokes and references to previous Mihmiverse movies (Such as Doctor Jackson-then-Director Jackson is now the President – Nice!), so be sure to keep your eyes and ears open to catch them all.
Seeing as how most of the advertising for these movies come from simple word of mouth from the fans, then if you do check his stuff out and enjoy it please help get the word out there on these movies and hopefully we can snag in a few other fans that may not even realize these exist. You can order these on DVD (and even BluRay for the latest couple!) over at his official site which is filled with all sorts of other goodies as well (including a monthly newsletter in addition to a very laid back, yet fun and informative, podcast). Hell, there’s even an excellent deal on right now – Buy Three Movies, Get One Free, which seeing as how there’s currently eight of these titles, if you do that twice then that is the perfect way to catch up with all of them and in the end save some dough – that’s how I did it!

10/10 rooms in the Psych Ward


Film Review: Attack Of The Moon Zombies (2011)

Attack Of The Moon Zombies poster 325x500 imageSYNOPSIS:

“Twenty years have passed since Dr. Vincent Edwards took on a certain radiation-mutated bat creature and he is ready to retire. While training his replacement on the Jackson Lunar Base, the two stumble upon a seemingly impossible discovery: alien plant life on the surface of the moon! Unfortunately, exposure to the spores of this otherworldly flora cause instant death. Too bad those killed by them don’t stay dead and instead, want nothing more than to replicate!” (courtesy IMDB)


This week I present to you one of the most incredibly implausible introductions to one of the…movies in the history of Horror News – that’s right, I’m talking about my fabulous introduction to Attack Of The Moon Zombies (2011)! It goes a little like this…

Attack Of The Moon Zombies photo 1 400x470 imageIt may look like it was made in 1961 but don’t let that fool you. Made fifty years later than you’d think, by my old American friend Christopher Mihm, Attack Of The Moon Zombies stars Shannon McDonough, Mike Cook, Douglas Sidney, Michael Kaiser and my old sweetheart Sid Korpi, in a science fiction extravaganza that promises to go one better than Dinosaurs On A Spaceship, with zombies – on the moon! The crew of an isolated moonbase find themselves inundated with mutated monster-men and sinister space-spores! Despite the serious situation, it’s a loony lunar laugh-fest that lovingly lampoons low-cost movies while remaining remarkably respectful to those bizarre but beloved B-graders. So strap yourselves in and count backwards from ten, as we prepare for the coming zombie apocalypse – on the moon!

Attack Of The Moon Zombies photo 2 400x469 imageI’m very happy to announce that my introduction this week has been nominated for a Rondo Award for Most Gratuitous Alliteration In A DVD Review. If you see me on the red carpet, please help me back into my seat. Now to tell you exactly who and what you’ve been watching. Only you know why. Attack Of The Moon Zombies, Christopher Mihm’s sixth – yes, sixth! – movie in just as many years. He doesn’t mock the originals so much as replicate the organic elements that make these films so enduringly endearing – including their low-budget shortcomings and questionable talents – with 21st century sensibilities. This delicate balance of parody and homage is not easy, but Mr. Mihm is a master of this special brand of fifties-style satire, which has become its own sub-genre, as evidenced by films like The Lost Skeleton Of Cadavra (2001) and Frankenstein Versus The Creature From Blood Cove (2005).

Attack Of The Moon Zombies photo 3 400x471 imageWithout effecting the plot or pacing, there are plenty of references to fifties classics for you trainspotters out there: The Mole People (1956), The Thing From Another World (1951), This Island Earth (1955), The Day Of The Triffids (1962), The Green Slime (1968), and the subtly-titled It! The Terror From Beyond Space (1958). You may also recognise bits of Star Trek, THX-1138 (1971) and the Alien (1979) franchise. The real reason he chose to set the film on the moon was because it had nothing to do with any of his other films and, since the movie had to be shot during the winter, his choices were filming ‘in the snow’ or ‘in his basement’. Lacking enthusiasm for hypothermia or yetis, the basement was the way to go. Ordinarily, to create a moonbase you’d need a skilled crew and vast amounts of money, but if all you have is US$3,000 and five people with day jobs, the best you can hope for is a lot of duct tape and plywood. Fortunately, these are the same materials used by NASA so it’s perfectly authentic.

Attack Of The Moon Zombies photo 4 400x472 imageJust like the sets, the acting is also perfectly…wooden, and Shannon McDonough really shines in this aspect as the moon-based botanist, Doctor Hackett. Douglas Sidney plays her boyfriend, Doctor Collins, whose attempts at proposal are repeatedly thwarted. Mike Cook plays Doctor Vincent Edwards, the wise old professor days before retirement, who is training his young replacement Glen Hayes, played by Michael Kaiser. But my personal favourite is Sid Korpi as Commander Ripley. Born January 27th 1962, Korpi’s real name is Keanu but changed it to something less preposterous. A cold-eyed calculating expert in conspiracy, torture and murder, a master villain and head of the secret society known as the Si-Fan, she operates all over the globe, her aim being the ultimate domination of the world. However, her nefarious plans are repeatedly foiled by the stout British agent Dennis Nayland Smith…wait a minute, that’s Doctor Fu Manchu. Ah, here we go – Sid Korpi’s stage career was a series of hits and misses – mostly Mrs. I’ll explain: She played Mrs. Boyle in Agatha Christie‘s The Mousetrap, Mrs. Banks in Father Of The Bride, and Mrs. Gertrude in Steve Martin‘s Underpants…yes, that’s the title of the play.

Attack Of The Moon Zombies photo 5 400x471 imageShe was then kidnapped by Christopher Mihm and forced to appear in Attack Of The Moon Zombies, which earned her a nomination for a Dead Letter Award for Best Actress In A Zombie Movie. But that was a long time ago, way back in 2011. Since then she has appeared in at least two more films: House Of Ghosts (2012) and The Giant Spider (2013), both of which I hope sully your monitors with soon. The reason Attack Of The Moon Zombies looks sharper than Mihm’s previous efforts is because it’s been shot entirely in a controlled environment, making it easier to light and more consistent than the outdoor locations in most of Mihm’s movies. The low-tech sets, costumes, makeup and cast all add to the film’s considerable charm. The Moon Zombies themselves are perfectly realised, and look exactly as cheap as they should – simple masks and gloves – without ruining the scary bits…too much.

Attack Of The Moon Zombies photo 6 400x473 imageWhile Attack Of The Moon Zombies is a great introduction to the Mihmiverse, it’s worth watching all the films – found at – and pay attention. Any fan of classic genre films is guaranteed to find a lot to like. And it’s with that rather masochistic thought in mind that I’ll make my farewells, and ask you to hit the highway to hell with me again next week while I drive you to delirium to witness another car crash on the boulevard of broken dreams for…Horror News! Toodles!

Attack Of The Moon Zombies photo 7 400x474 imageAttack Of The Moon Zombies (2011)


Well worth the wait, we just received our SIX Dead Letter Awards for “Attack of the Moon Zombies” (won earlier this year) from Thank you Derek M. Koch and the gang!

Included in those awards are:

Best Zombie Movie—”Attack of the Moon Zombies”

Best Director—Christopher R. Mihm

Best Zombie—Michael Kaiser

Best Actress in a Zombie Movie—Sid Korpi

Best One-Liner in a Zombie Movie—spoken by Administrator Ripley (Sid Korpi) “I know I’d rather die in agonizing pain than become some weird meat puppet for those nasty little things out there, wouldn’t you?”

Best Death Scene in a Zombie Movie—Dr. Vincent Edward’s self-sacrifice (Mike Cook), awarded by write-in vote!

Here are MY TWO awards!!

I also loved the message on the Priority Mail box they all came in:



Christopher R. Mihm’s “Attack of the Moon Zombies” Wins Numerous B-Movie Awards

“Attack of the Moon Zombies,” a B&W 1950s-drive-in-style creature feature film by writer/director Christopher R. Mihm, took a record six Dead Letter Awards in this year’s competition.
Attack of the Moon Zombies by Christopher R. Mihm
Attack of the Moon Zombies by Christopher R. Mihm

PRLog (Press Release)Mar 23, 2012
Minnesotan writer/director Christopher R. Mihm has a unique filmmaking niche. He makes only B&W, 1950s-drive-in-style creature features, or as he puts it, “I make good bad, new old movies.” Released in May 2011, his sixth film, “Attack of the Moon Zombies,” received universally positive reviews from those who want their nostalgia to be newly made. Recently, cult-movie site nominated “Attack of the Moon Zombies” for many of their annual Dead Letter Awards for quality filmmaking in the zombie genre.

The awards Mihm’s film won are: 1) Best Zombie Movie, feature length; 2) Best Director of a Zombie Movie (Christopher R. Mihm); 3) Best Zombie (Michael Kaiser); 4) Best Actress in a Zombie Movie Sid Korpi as Administrator Ripley; and 5) Best One-Liner in a Zombie Movie: “I know I’d rather die in agonizing pain than become some weird meat puppet for those nasty little things out there, wouldn’t you?” Plus, the movie won Best Death Scene via a write-in-only ballot, naming Mike Cook’s self-sacrificing demise as Dr. Vincent Edwards the best of the deaths. The film took home more awards than any other in the competition. Winners were established by popular vote.

Fans of this monstrously memorable, family-friendly, super-cheesy flick are urged to visit the Mail Order Zombie site to listen to the highly entertaining 3/22/12 podcast  #177 at

Also up to popular vote to decide is the 10th Annual Rondo Hatton Classic Horror Awards, for which “Attack of the Moon Zombies” has been nominated as Best Independent Film (Category 8). Please visit to vote for this fine ’50s movie and support independent cinema by March 31, 2012.

If you haven’t yet seen “Attack of the Moon Zombies” and want to check it out to see what all the hubbub is about, order your copy from today! While you’re on the site, why not purchase your tickets for the May 23, 2012 Heights Theatre premiere of Mihm’s seventh film, “House of Ghosts”? This show, a spooky homage to the 1950s-fright-film director William Castle (“The Tingler” and “House on Haunted Hill”) is selling out fast—fewer than 50 tickets remain—so act soon.

Interview with multi-talented baby boomer, Sid Korpi

Nadia Giordana's photo

Baby Boomer Examiner

Sid Korpi, film and stage actress, social dance instructor, and pet chaplain, is far too talented and accomplished for this author to take credit for anything more than being an inspiration and catalyst for her recent weight loss, something she’d wanted to do for a long time. That’s good enough for me. Already athletic, fit, and beautiful, Sid became inspired after reading Thinking Skinny and decided to get healthier still. Losing those extra pounds gave her the edge she needed to pursue a film career with creative Minneapolis filmmaker, Christopher R. Mihm. I might also add that the same is true of the content in this article. Other than my questions, the words are Sid’s, and I would be remiss if I didn’t credit her as being co-author of this article. She is, in addition to the talents listed above, a gifted author and editor. I recently had a private interview with Sid, and this is how it went:

Nadia: Sid, Your life, long before we met has been a personification of the principles that I share in my upcoming book, Reinventing New Chapters in Your Life at any Age—and that I live by. I’d like to talk with you about each of the seven steps and hear your unique take on them. We’ll start with #1) Reshaping a healthier body and attitude. Sid, what was it about Thinking Skinny that resonated with you as you embarked on this new chapter in your life?


Sid: When I learned that I was up for a major role in my first feature film, Chris Mihm’s marvelous B&W 1950s-drive-in-style creature feature B-movie, Attack of the Moon Zombies, ( I knew what wound up 30-feet tall on the silver screen was going to be forever-after how I’d be seen. I also knew cameras notoriously add 20 pounds to one’s appearance, and given that, though fairly fit, I was already on the high end of “normal” as far as weight charts went, I really wanted to drop those 20 just to come out even.

I’d lived the diet yo-yo my entire life and vowed this was to be the end of that self-destructive cycle. I had your book, Thinking Skinny, on my shelf and was drawn to it. I read it in one sitting, let its contents sink in overnight, and awoke the next day ready to lose weight in a sensible, permanent way. I went to a website that calculated how many calories I needed to attain my goal weight, designed and printed out a chart on which I’d henceforth record all I’d eaten each day—because writing it all down made eating a conscious rather than reflexive act.

This wasn’t a “diet.” I know better than to ever tell myself that I “can’t” have something; I’m so rebellious, that would simply ensure I ruminated on said high-calorie item until I broke down and had too much of it. I planned to lose between one and two pounds per week, and I did just that by still eating whatever I wanted to, just in more reasonable portions. I also eat many small meals a day, which keeps my metabolism stoked continuously and wards off my “gorging” out of starvation. In several months’ time, I’d lost roughly 25 pounds and am approaching two years at this new weight. I knew I could see myself onscreen and not cringe, except for my scary-looking 1950s bangs, and those were on purpose. (You can see what I’m talking about in the official trailer at

People have been raving over the positive change in me, which is very nice, but more importantly, I can rave over that change—because it’s my opinion of me that matters most. The best part now is that “moving” (my new, less-punitive term for exercise) is its own reward. For instance, I consider myself fortunate when the lot is mostly full and I can park on the sixth level of a parking ramp and use the stairs instead of the elevator to get where I’m going. I can confidently say I have the energy of someone nearly half my age.

To initially attain and now maintain my weight loss, I also record how much (and what kind of) exercise I get each day. The same website I mentioned earlier gives approximations of calories burned doing several dozen different activities, even housework, so I can monitor that, too. I’ve bought a quality pedometer and wear it religiously every day and record my mileage walked each week. It’s keeping both my four West Highland white terriers and me healthy and committed to getting in two-to-three-mile walks almost every day. You know you’ve made a permanent life change when, instead of say, reluctantly dragging yourself to a gym because you “have to,” you feel absolutely gypped when you don’t “get to” walk/dance/do Pilates, etc. for at least a few minutes every day.

Nadia: I can wholly relate to feeling gypped when I don’t “get to” ride my bicycle or take a long walk. Now let’s move on to #2) Realigning relationships and spiritual self: To use your own words from a previous interview we had on this subject, you’ve suffered a tsunami of loss with regard to your family, friends and relationships. How did you manage to get through it and go on?

Sid: In a few years’ time, I lost my mother, stepfather, uncle, three cats, three dogs, a cockatiel, two of my best women friends and my 15-year marriage. Talk about wiping out everyone you loved and who you thought loved you! I’ll be honest with you; I cried my heart out every single day for more than two years. That’s not hyperbole, just a cold fact. There were times I wondered why I was left here when so many of my loved ones were on the Other Side. I even had thoughts of suicide during these darkest of days.

As a matter of fact, these thoughts became so pervasive at one point, I went to the hospital emergency room one Sunday, hoping I could be kept under observation overnight until I could get started on an antidepressant prescription the next day, when I’d already had an appointment with a psychiatrist. (Clinical depression runs in my family and several of my relatives have attempted/succeeded at committing suicide, so I believed I had just cause to worry about being alone at that time.) What happened, however, still boggles my mind.

I spoke to the ER doctor about all this and, instead of receiving any validation or compassion for what I was going through, he said, “This isn’t a hotel. Go home and call us if you actually have a ‘plan’ to kill yourself.” I was summarily asked to leave the hospital.

I had hit my proverbial “rock bottom.”

If ever there were someone who was made to feel absolutely worthless, absolutely unworthy of the most basic human compassion, it was I right then. Yet, standing in the doorway of that hospital, more completely alone than I’d ever been in my life, something profound happened that changed me forever. I still remember vividly this sensation I had deep in my chest, at my physical core, of a tiny little flame like that of a candle. I was overwhelmed by a certainty that that core light represented the part of me that belonged to, indeed was one and the same as, the greater Universe and was necessarily just as valuable and worthy of love as all that is eternal.

It came to me in rush that I’d just been presented with an astounding opportunity to learn an invaluable life lesson. I learned that, despite being stripped of every external source of support and compassion, I was still worthwhile. I was still worthy of love. I was still valuable even if the only person who could or would consistently show me this was myself. I stood there and wept with gratitude for the lesson I’d been brought, despite how painful it had been in its presentation. I even forgave that heartless doctor and silently thanked him for his callous rejection.

I know now never to turn outward to find validation of my worth. I know, too, never to doubt that I deserve love as much as any other living being. I know, moreover, I need to get that love and acceptance from myself first and foremost, and usually, similar support from others follows.

I joined Emotions Anonymous soon after this event, to rebuild my lost community with people who would understand my struggles and not judge. Through this 12-step program, I learned to give up control over my emotions and give them over to my Higher Power. I never again considered suicide. As I became strong, I was able to help others as I helped myself. I stuck with EA for more than two years and to this day remain close friends with several of the people I met through this literally life-saving program.

Nadia: Let’s talk about #3) Redirecting thought patterns toward the possibilities: I’d love to hear how you do this Sid. You’ve had such an eclectic career, and several interesting businesses. Obviously, you are in tune with “possibilities” in a way not found in many other people.

Sid: On a lark, I once visited a psychic at the Renaissance Festival who told me, almost apologetically, as she read my tarot cards that she saw that I would always be changing from one thing to the next, usually with little to no financial reward, and never settle on one thing as my career. I expect she thought I’d be chagrined about that “news,” but instead I said, “Oh, sure, I know that. That’s what I love most about myself!”

I am very driven by the need to personally challenge myself. I’ll often start some new creative endeavor—like designing jewelry, writing a novel, or singing with an early-jazz band—and always see it through to some kind of completion. However, once I win some award or recognition for it (a blue ribbon at the Bemidji Art Fair, a first-place-for-extended-fiction award and publication in the Close to the Ground: Powderhorn Writers Anthology, and a gig at the Minnesota State Fair, respectively) I feel I can move on to the next thing.

“Been there, done that, moving on now” is a kind of creative mantra for me.

I can only stick with things that inherently provide variety, such as my 15 years running my Proof Positive writing/editing business, which never has me composing or reading the same thing twice. Put me in a cubicle, expect me to follow corporate edicts, and make me punch a time clock and you may as well pronounce me brain-dead on arrival. I’ve structure my life so it will always be interesting for me.

Nadia: Then there is#4) Rediscovering the magic in your life: How do you stay young at heart and maintain the fun and excitement in your life?

Sid: I am childfree by choice and have instead opted to retain much that is childlike in me. The world can sometimes be a downright frightening place, and I feel I’m on a mission to remind adults around me of the importance of playing; of having fun, being creative, joyful, and downright silly; and not giving a fig what others think of them for doing so. I’ve been known to wear a mini dress and go-go boots out dancing to a ’60s band, a poodle skirt and saddle shoes when it’s a ’50s band, and so on. I’m my own walking/dancing retro vignette. People around me either gravitate toward the energy and sense of fun or they back away slowly, shaking their heads; either is just fine by me. I don’t need everyone to like or even understand me.

Case in point, I just turned 50 in January, and I threw myself a birthday wake. I rented a coffin, in which I lay as my friends and family “eulogized” me. I’d frequently pop up to laugh at their jokes or throw marshmallows at anyone who got too into “roasting” me. We held this in a church basement and had a reception of Jell-O salads and tater tot hot dish among the delicious items in the Church Basement Ladies potluck buffet. Afterward, we played board games. Frankly, it was awesome!

I did this because I firmly feel we’ve got it wrong when we hold back on telling our family of choice what we think of them and what influence they’ve had on us and the world in general until their respective funerals. That’s just a bit too late. Sure, I think my mother’s spirit enjoyed the 21-squirt-gun salute we gave her at her memorial service (which devolved into a water fight, just as she would have wanted), but it’s important to share these things with our loved ones while they’re here, too.

I try to be a role model for authentic eccentricity. Thanks to this event, I got to learn that I have a sort of fan club of four 20-something young ladies who all say they want to be me when they grow up. I quickly correct them and say, “There’s no ‘growing up’ involved if you really want to be like me.”

Nadia: #5) Removing lingering regrets: Each of us must find ways to do this. How have you managed?

Sid: Most of us are more likely to be kinder to strangers than we are to ourselves. To correct that inequity, start by admitting your mistakes without blaming others in any way for your actions, even if they’re deeply involved. You’re no one’s victim as long as you learn and grow from any experience. Forgive yourself for things you were too afraid to do, for opportunities you missed, and take baby steps toward finding and freeing your inner courage—and reward those steps. Forgive yourself for wishing and hoping you could change someone else to attain the love and acceptance you could/should have been giving yourself all along. Forgive yourself for accepting responsibility for things that really were beyond your control. The fact is you’ve screwed up in the past; you’ll no doubt screw up again in the future. Just try not to keep screwing up in the exact same ways over and over. That’s nuts. Instead expect to screw up once in awhile in unique ways in your attempts to try out new ways of being. It keeps things interesting and proves you’re still growing, evolving, and becoming your finest you.

Nadia: #6) Rewrite a new life chapter: Sid, when I first heard you tell the story of how you set your sights on appearing in a Christopher Mihm film, and how you went about that, it was obvious to me that you set a goal and focused through to completion. Would you tell it to the readers here?

Sid: I had read about this local filmmaker who was dedicated to making black-and-white, 1950s-style horror movies in honor of his dead father, with whom he’d always watched these kinds of films as a kid. His stepdaughter had also been diagnosed with cancer and while she fought to recover (she’s since passed her five-year cancer-free marker—yeah!), he thought to himself something like, “What the heck am I waiting for? I’ve always said I wanted to make one of these movies. The time to do it is now.” That attitude and those circumstances really resonated with me.

My husband and I attended the world premiere of Chris’s third movie, Cave Women on Mars. I’d never been so grateful that I wasn’t lactose intolerant in my life (it was so terrifically cheesy, you see). I determined then and there that before I died I had to have something to do with one of this guy’s movies.

So I decided to stalk him.

Actually, all that entailed was one email, but “stalking” sounds more melodramatic. In my email, I mentioned that I was willing to be an extra, a prop mistress, a dead body, whatever he needed. I downloaded a photo of my high school theater trophy that named me Outstanding Dramatic Performer of 1980, with the caption “Proof I’m talented.”

I’d also read that he liked to write his movie scripts with places in mind where he knew he could shoot rather than have to build sets or scout locations. So, I offered him the use of our third floor dance studio, which is decorated like a ’50s malt shop, and invited him to visit it sometime. A month or so passed before he finally responded, but he took me up on my offer to check out the room.

Worried we might be serial killers or something, Chris brought along his star of Cave Women on Mars, Dan Sjerven, as his bodyguard. They wound up hanging out with us for three hours. We all knew an important, meant-to-be connection had been made.

Two movies later, my husband and I were given walk-on roles in Destination: Outer Space with one line apiece—actually the exact same line. We each got to say, “Greetings, Wise One.”

I helped out as “script Nazi” after our scene was shot (i.e., reading the robot’s part and making sure leading man Josh Craig remembered all his lines). Perhaps it was then that Chris noticed I could actually speak more than three words of his purposely clunky dialogue in succession and tucked away that knowledge for future reference because he gave me a leading role in his next movie, Attack of the Moon Zombies.

Initially, his lovely wife, Stephanie, was supposed to play Administrator Ripley and I was to be Dr. Rutherford, a much smaller part. But as Chris wrote the screenplay, Ripley’s role got a lot bigger, and Stephanie, who had just had a baby and was working full-time, said she didn’t want to have to memorize that much dialogue. She told Chris, “Give the role to Sid.” That’s the nice version of how it happened. If you ask me, I think it was really because Ripley needed to have a bit of “bitch” in her and Chris knew I could definitely bring that to the table more than the truly sweet-at-heart Steph.

Anyway, long story short, the movie rocked the world, I was nominated for a Best Actress in a Zombie Movie Dead Letter award from, and I was subsequently cast as Leigh, the eccentric dog lady/haunted-home owner, in Mihm’s current film, House of Ghosts. This movie—an homage to director William Castle of The Tingler, House on Haunted Hill and 13 Ghosts fame—was actually filmed in our house though, ironically, not in the third-floor malt shop. That’s going to be featured in this summer’s giant-spider movie.

Nadia: And now #7) Reveal and live your intentions: Sid, please bring me up to date on your activities, there must be some new things in your life now, and on the horizon.

Sid: A few years back, I made a deal with myself that I wouldn’t audition for any plays anymore because of the time commitment and would only do them if they sort of fell into my lap—so I’d know they were meant to be. That philosophy got me the roles of Gertrude in Steve Martin’s comic play The Underpants, Mrs. Ellie Banks in Father of the Bride, and Jeri Neal in The Dixie Swim Club.

Since making these Mihm movies, I’ve been in two short independent films with burgeoning filmmakers Timothy Printup and Katie Cragoe, Treasure Box and Breaking for Home, each starring opposite the talented young actress Kira Pontiff. I’m thrilled to have been a part of their maiden voyages into moviemaking and really respect that they set a goal to do these two films in two months and made it happen. I always want to support and encourage those who actually follow through on their dreams.

My costar in House of Ghosts, Justen Overlander (Ray), a hilarious writer/actor/director himself, offered me the role of Goldie in his new movie, The Bequeather. It’s a comedy along the lines of Young Frankenstein set in the 1950s—my favorite era! We start filming in May, and I couldn’t be happier to be working with Justen and Mike Cook, another of my costars from Attack of the Moon Zombies and House of Ghosts (Dr. Edwards/Harlan, respectively) in this new movie.

And as I mentioned earlier, Chris Mihm is working on a giant spider movie, as part of a drive-in double feature. I know I’m to be in it in some capacity, but I don’t know exactly what my role will be yet. I’m game for anything. I’ve even offered to let his son’s tarantula climb on me.

We’re opening up our 1886 Victorian home to the Minneapolis/St. Paul Home Tour at the end of April, in time to promote the May 23, 2012, premiere of House of Ghosts at the Heights Theatre in Columbia Heights, Minn., the oldest continuously operating movie theater in the state. It has an awesome Wurlitzer pipe organ that comes out of the ground and is played before the movie. I’m busy promoting the heck out of this event and seeking the perfect vintage evening gown from a thrift store to wear on the red carpet that night. There’s a fashion war going on among the diehard Mihmiverse fans that are planning to dress up for the event, and I can’t be outdone. And yes, we take our premieres very pseudo-seriously. Who wouldn’t? There’s going to be free cake for heaven’s sake!

In between all of that stuff, I’m sure I’ll “work” now and then, too.

Nadia: I can appreciate your willingness to risk failure.You “get it,” and the potential rewards are unbelievable if you can let go of this fear. What advice do you have for others who seek to follow their passions as you have yours?

Sid: I’ve often joked that I’ve failed at more things in my lifetime than most people do in a dozen lifetimes. But the word in need of redefining there is “failed.” I’ve only failed at anything if its success is measured in dollar signs, brand-new sports cars and vacation homes in the Bahamas. For me, success is measured by how many of my various talents I’ve been able to explore in unique ways, regardless of the fiscal payoff, and how much my creativity has added to the value of my life and the lives of those around me.

For instance, the book I was spiritually guided to write after my tsunami of loss, Good Grief: Finding Peace After Pet Loss, has won four literary awards—including “Best Self-Help Book of the Year” from Premier Book Awards—and I continually hear from people about how much it has helped them navigate their grief after losing a beloved animal companion. Is it a New York Times Bestseller? Nope. But its topic has staying power; it continues to sell at a fairly steady pace and is even coming due for a second edition printing. I risked a lot of my own money to get it published and have earned back every penny and am now actually a little in the black. Writing it has led to my getting public speaking gigs, too, which represents another modest revenue stream.

Anyone can follow my circuitous path to creative fulfillment. The first thing you have to do is decide that personally providing your household with financial security is a low priority for you. (Inheriting a huge trust fund or marrying a zillionaire can help here.) That doesn’t mean you can’t or shouldn’t be responsible, respect money, and even aspire to be rich beyond all imagining—heck, it may even be in your cards to wind up this way, so you should be ready for that possibility, too. You just have to be OK with the uncertainty that risk-taking brings with it and value what the process itself will bring you more than you do a steady paycheck.

To ensure domestic harmony, make sure your life partner is on board with this plan, of course. My darling hubby has a quasi-reliable income (after a 20% pay cut across the board two years ago at the company where he works, that is) to ensure we’ll at least cover the mortgage payment. Though not getting me off the hook for pulling my own financial weight, this frees me up to do a bit more of my soul-feeding stuff without too much guilt that I’ll render us homeless.

Lest you think I lie around eating bonbons all day, however, I’ll have you know I also operate several other home-based businesses: Proof Positive Editing, my bread-and-butter proofreading/freelance writing/wordsmithing business for the past 15 years; Nonconformist Nuptials, wherein I write and officiate wedding ceremonies for those who balk at the traditional, cookie-cutter approach; and Two Right Feet Dance, through which my husband and I teach beginning social dances like swing, rumba, waltz, etc. Our motto is “Forget Fred and Ginger—we’ll have you dancing like Fred and Wilma in no time!” (This makes particular sense because we have a Flintstones shrine in our basement that has been on TV and in the newspaper.) Each of these brings in a little bit of money, costs me almost nothing to operate, and lets us write off sections of our home as tax deductions.

I’ve even finally found a way to make a little bit of money from my acting. (Alas, there’s been no money so far in the much-beloved B-movie or community theater worlds in which I dabble, but I do these for my soul anyway.) I am paid to act through the Standardized Patient Program at the University of Minnesota. I’ve gotten to portray various patients for med students, dental students, psychiatric nursing students, veterinary students and even law students to practice their communication and practical skills. Over the past couple of weeks alone, I’ve gotten to portray a woman who is “itchy,” receive 12 head-to-toe physicals (it’s been confirmed that I’m quite healthy, thank you), AND settle a fictitious lawsuit through mediation for $5 million! I get to exercise my improvisation muscle and get paid a bit for it. Happy times!

I’ve weathered this great recession better than most because, frankly, I’m used to being broke and subsequently had less to lose both financially and emotionally in the economic downturn. I believe I can adapt to change a bit more easily than most because I’ve always had to diversify or die. But above and beyond just being a means of survival, to me, each of these endeavors represents a different colorful thread in the gorgeous tapestry of my life. I don’t do beige. Instead, I say, “Bring on the rainbow hues!”

Sid Korpi is the human caregiver to seven rescued pets, a compulsively creative person, and is known to act in B-movies for food. She is grateful to be married to an understanding man who thinks life with her and all the critters is an adventure. Her websites are www.goodgriefpetloss.comand www.tworightfeetdance.comand

Continue reading on Interview with multi-talented baby boomer, Sid Korpi – National baby boomer |

Writer/director Christopher R. Mihm’s ’50s-style B-movie “Attack of the Moon Zombies” has been nominated for numerous Dead Letter Awards. Voting ends March 16, and winners will be announced on March 22 on the podcast.




Attack of the Moon Zombies by Christopher R. Mihm
Attack of the Moon Zombies by Christopher R. Mihm

PRLog (Press Release)Mar 07, 2012
Minnesotan writer/director Christopher R. Mihm has a unique filmmaking niche. He makes only B&W, 1950s-drive-in-style creature features, or as he puts it, “I make good bad, new old movies.” Released in May 2011, his sixth film, “Attack of the Moon Zombies,” received universally positive reviews from those who appreciate this unusual genre. Recently, cult-movie site nominated “Attack of the Moon Zombies” for the second-highest number of categories of any other movie honored by their Dead Letter Awards.

Among the awards for which Mihm’s film is in the running are: 1) Best Zombie Movie, feature length; 2) Best Director of a Zombie Movie (Christopher R. Mihm); 3) Best Zombie (Michael Kaiser); 4) Best Actress in a Zombie Movie (both Sid Korpi as Administrator Ripley and Shannon McDonough as Dr. Stephanie Hackett received nods); and 5) Best One-Liner in a Zombie Movie: “I know I’d rather die in agonizing pain than become some weird meat puppet for those nasty little things out there, wouldn’t you?”

Fans of this monstrously memorable, family-friendly, super-cheesy flick are urged to visit the Dead Letter Award Ballot form at the Mail Order Zombie site ( to cast their votes for “Attack of the Moon Zombies” in all categories by the March 16 deadline. Winners will be announced on the 3/22/12 Mail Order Zombie #177 podcast at

Also up to popular vote to decide is the 10th Annual Rondo Hatton Classic Horror Awards, for which “Attack of the Moon Zombies” has been nominated as Best Independent Film (Category 8). Please visit to vote for this fine ’50s movie and support independent cinema by March 31, 2012.

If you haven’t yet seen “Attack of the Moon Zombies” and want to check it out before you vote, order your copy from today! While you’re on the site, why not purchase your tickets for the May 23, 2012 Heights Theatre premiere of Mihm’s seventh film, “House of Ghosts”? This show, a spooky homage to the 1950s-fright-film director William Castle (“The Tingler” and “House on Haunted Hill”) is selling out fast, so act soon.

# # #

A specialist in re-creating B&W 1950s-drive-in-style creature features, writer/director Christopher R. Mihm’s latest two films, “Attack of the Moon Zombies” and “House of Ghosts,” are sure audience pleasers.
Jan 29 2012

I’m back with Christopher Mihm, talking about his upcoming film, Domo de Fantomoj [House of Ghosts], which will be subbed and dubbed into Esperanto! You might remember him better from his previous film, Attack of the Moon Zombies

Going back to Moon Zombies, how did its release in Esperanto make it different than your previous movies?

Having the film available in Esperanto allowed it to screen in many new places all over the world — places none of my previous films have played like Brazil, Poland, and Denmark. Being able to have my films seen internationally is a huge step forward and I credit Esperanto with that specifically!

Why do you believe that Esperanto speakers are interested in your films?

I think, if nothing else, there are so few Esperanto language films out there that almost any that are worth watching (as I believe mine most certainly are) are worth seeing. My films are family friendly — meaning “safe for kids” but not made specifically for them. If an Esperanto speaker wants to introduce his children to the language, my films might be a way to do it. My films are just plain fun and can make for a fun night of entertainment for groups of speakers who are learning (they make great teaching tools) or are fluent and want to enjoy a little bit of goofiness! Lastly, one of my goals is to indirectly erase the “bad taste” the 1960s William Shatner Esperanto movie “Incubus” left in the collective mouths of the Esperanto community. That film is so infamous for butchering the language that I want my films to be considered the film that “Incubus” should have been! So, I think that may be happening a bit.

Why did you choose to dub and sub another film for us?

The Esperanto community has been so kind and supportive that it honestly seemed wrong in some way not to do a House of Ghosts audio and subtitle track! Plus, working with the language for Attack of the Moon Zombies has made me quite interested in it generally. I figured doing it again will help further my understanding of the language.

Your further understanding of the language… does that mean you’ve actually started learning Esperanto? If so, what inspired you and how is that going?

It is true. After dealing directly with creating the spoken audio track for the last film, I realized I was starting to pick up the language a bit — it really is that easy to learn! All my life I’ve really struggled learning other languages — something I’ve always wanted to do. Being exposed to a language as easy to understand as Esperanto gives me hope I can overcome that difficulty. Sadly, my studies are coming along far slower than I would like which can be attributed specifically to the amount of time I spend working my day job, creating the films and maintaining the “Mihmiverse,” and raising my family!

What impressions do you have of the Esperanto community?

The Esperanto community has been wonderful. They’re great people who have been extremely supportive and friendly, both in how they’ve received my film but also in helping me to learn the language. I couldn’t ask for a nicer group of people!

What role do you think Esperanto would ideally play in the world?

The thing I find most amazing is how the original stated purpose of the language seems to actually be happening within the community. The language really does seem to bring people together. The Esperanto spoken tracks on my films are a great example of this. You have people from all over the world adding their voice to the film, and their only common attribute is that they speak Esperanto. That, to me, is the role Esperanto should play in the world: bringing people together!

Lastly, how can the Esperanto community support your new film?

The biggest thing the Esperanto community can do is to spread the word. Set up screenings and events or even gather your group of Esperanto-speaking friends and give the films a try! If nothing else, they’re entertaining, fun, and safe for the whole family!

I’d like to ask my readers to be sure to check out your Kickstarter Esperanto campaign. I wish you the best producing this film!

So sorry for the delay in my getting this review posted. Upon returning from Gunflint Lodge and the Wagalot Dog Lover’s Weekend, I was greeted by a week’s worth of work assignments and then had to head out to Fargo for the Fantastic Fargo Film Festival/ValleyCon event to promote “Attack of the Moon Zombies”—winner of the Roger and Julie Corman Award for Intrepid Filmmaking!

Now, much delayed, is my chance to say a big THANK YOU to organizer Lisa Sellman of Aloha Pet Care Service and the owners and staff of Gunflint Lodge. We had a marvelous time at this fabulous, pet-friendly lodge. First off, the food was incredible!! Their chef at Justine’s Restaurant on-site at the lodge easily equaled the culinary skills of any 5-star chefs in the Twin Cities. And all the food, three huge meals per day, were included in the cost of the weekend package. All we paid for was taxes and tips.

Anthony (L) and I (R) are joined by friends Keith Davis and Lori Soyring at Justine's Restaurant at Gunflint Lodge

Then there were the fun activities Lisa arranged, such as the baking of holiday dog treats in our cabin, where nearly a dozen people and their dogs joined us. Here are some shots of the cabin itself and our pooches checking it out.

Oliver peeks down through the oar-shaped railing surrounding the second-floor loft space in our cabin.

Oliver decides to come down from his "loft-y" perch.

Keely and Blanche keep a keen eye out for squirrels.

Ambrose snoozes on the bed while Oliver takes a nap nearby

Later on, I gave a talk about Pet Loss as Disenfranchised Grief to a receptive audience in the Conference Center.

Audience members take their seats before the talk gets underway.

Then we topped off the full day of events with a viewing of “Attack of the Moon Zombies.” As it turned out, Dan Moore, the man who is standing in the photo above, was one of the best friends of our director Christopher R. Mihm’s father, George Mihm! He was able to give us some terrific “dirt” on Chris’s 5th-grade exploits, which would have given us fodder for blackmail but Chris said all I could get from him was his “boatload of debt, a cat that pees on everything, and excess grumpiness” and besides, he’s proud of his shameful deeds involving drawing pictures of an illicit nature and photocopying them into little magazines for his friends to purchase. He dad apparently called this Chris’s “Larry Flynt Phase.”

"Whistleblower" Dan Moore and Kodi.

Lori Soyring (L) and Lisa Sellman with Jasmine and my Westie Blanche

Anthony with Keith, Lori and their fur-kid, Fletcher

Lisa's husband Rick sits next to Kodi and Dan. I'm in my '50s sweater and cat-eye glasses on the right.

Enjoying the B-movie

Blanche considers everyone part of the furniture.

Jasmine snoozes on Lisa's lap.

Anthony and Keith take Oliver's place upstairs

On the last day of the retreat, I performed an animal blessing ceremony. Participants tried to hide from the high winds off Gunflint Lake. (When you look across the lake, you see Canada!)

Some of the pet blessing participants.

Though we had a bit of rain the first couple of days, there was still some great hiking to be enjoyed in the Superior National Forest. Here, we wander along a Moose-siting trail.

Walking my pack.

We saw no moose, but Anthony found a 1955 Desoto carcass

In Grand Marais, we stopped by Gunflint Mercantile, owned by Chelsea Lueck (daughter of our friends Cal and Suzie Lueck, of Dad’s Belgian Waffles fame). Her fudge and candy shop was quaint, charming and demanded we buy a whole bunch of yummy stuff. Chelsea kindly offered to carry my book, “Good Grief: Finding Peace After Pet Loss” for sale and is sewing me a fabulous Westie apron for my upcoming instructional video on preparing raw dog food diets. (More on this as the scheme develops.)

My hair was a permanent mess all windy weekend, but Chelsea looks lovely here!

Finally, on our way home, we take nourishment (and a potty break for the dogs) at famed Betty’s Pies in Two Harbors.

Another award! Woot Woot! “Attack of the Moon Zombies” has been awarded the “Roger & Julie Corman Award” by the Fargo Fantastic Film Festival, an event at which writer/director Christopher R. Mihm, I, and a handful of fellow Mihmiversers will be appearing THIS weekend Oct. 21–23! Be there!

The Fargo Entertainment Expo

It’s been announced on their website so we feel comfortable saying it: “Attack of the Moon Zombies” has won an award for “Best Action/Horror Feature” at the Highway 61 Film Festival! Congrats to everyone involved in the making of the film and a special thanks goes out to the film festival for bestowing this honor upon this fine Mihmiverse film!

The Highway 61 Film Festival, being held on Friday, October 14 and Saturday, Oct. 15 in Pine City, MN, has announced the official selections for the festival.

The festival will be held at two locations. Daytime and evening shows will be held at Pine Technical College Auditorium (900 4th Street SE, Pine City, MN 55063).

Highway 61 Film Festival winners

Posted on October 12, 2011 by

We are proud to present the winners of the  2011 Highway 61 Film Festival.

Many thanks to our judges for their consideration of all of these films.

Action/Horror Features

1. Attack of the Moon Zombies

Director: Christopher R. Mihm

2. Ghost from the Machine

Director: Matt Osterman

Action/Horror Shorts

1. Stitches

Director: Mason Makram

2. Dope Sick

Director: Elijah Woodcock

Comedy Features

(no entries)

Comedy Shorts

1. Birthmarked for Death

Director: Matt Olson

2. Lumber Jill

Director: Tucker Lucas

Documentary Features

1. All Over the Walls

Directors: Ryan Anderson, Greg Paape, Joe Galegher, Jake Johnson, and Alex Grangaard

2. Welcome to America: 50 States in 50 Days

Director: Rodney Johnson

Documentary Shorts

1. Songs to Enemies and Deserts

Directors: David Martinez and Shane Bauer

2. Stories Next Door

Director: Jeff Weihe

Drama Features

1. Lambent Fuse

Director: Matt Cici

Drama Shorts

1. The Missing Frame

Director: Elijah Woodcock

2. Sun Gods

Director: Nial Hopkins

Animation Features

(no entries)

Animation Short

1. Cento

Director: Michael Thompson

The winning feature film in each category will receive a $100 prize. The winning short film in each category will receive a $50 prize.

Congratulations to all of the winners!

Late night showings will be held at Danny C's BeachRocks Resort (10762 Lakeview Shore Drive, Pine City MN 55063).

Congratulations to all filmmakers selected for the festival.

FILM SCHEDULE (Note – may be subject to change)

FRIDAY 6:30pm Pine Technical College Auditorium
What If? 6m
Boundary Waters 36m
Five Bucks Til Friday 28m
Stories Next Door 28m
Lumber Jill 29m
Songs of Enemies and Deserts 35m
162 minutes (2h2m)

FRIDAY LATE NIGHT 10pm Pine Technical College Auditorium
Recreation 8m
All Over the Walls 77m
True Story of Peter Pan 13m
Night Surf 16m
Cocainine 20m
Your Mother’s a Hunt 14m
Hunting Buddies 77m
225 minutes (3h45m)

SATURDAY 11:30 AM — FAMILY FRIENDLY SHOW Pine Technical College Auditorium
Rhythm Sticks 26m
Spaceman from Space 3m
Whistle 8m
Underwater Ocean Visit 23m
Welcome to America 50 states in 50 days 90m
150 minutes (2h30m)

SATURDAY AFTERNOON 2:30p Pine Technical College Auditorium
Ink Blots 5m
Out of Character 21m30s
Games Men Play 2m30s
Cento 5m
Sun Gods 16m
Masquerade 27m
Payback Time 7m
Harold Crumb 24m
The Suit 6m30s
Lambent Fuse 99m
187 minutes (3h35m)

SATURDAY EVENING 6:30pm Pine Technical College Auditorium
Love Notes 11m
Stitches 13m
Bloodshed Love 17m
Roadside Assistance 8m
Dope Sick 18m
Birthmarked for Death 7m33s
Ghost from the Machine 86m
167 minutes (2h7m)

The Missing Frame 12m
Attack of the Moon Zombies 99m
Some Fangs 9m
Potpourri 90m
210 minutes (3h30m)

Share this blog

Bookmark and Share

Archived Blogs