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Interview with multi-talented baby boomer, Sid Korpi

Nadia Giordana's photo

Baby Boomer Examiner

Sid Korpi, film and stage actress, social dance instructor, and pet chaplain, is far too talented and accomplished for this author to take credit for anything more than being an inspiration and catalyst for her recent weight loss, something she’d wanted to do for a long time. That’s good enough for me. Already athletic, fit, and beautiful, Sid became inspired after reading Thinking Skinny and decided to get healthier still. Losing those extra pounds gave her the edge she needed to pursue a film career with creative Minneapolis filmmaker, Christopher R. Mihm. I might also add that the same is true of the content in this article. Other than my questions, the words are Sid’s, and I would be remiss if I didn’t credit her as being co-author of this article. She is, in addition to the talents listed above, a gifted author and editor. I recently had a private interview with Sid, and this is how it went:

Nadia: Sid, Your life, long before we met has been a personification of the principles that I share in my upcoming book, Reinventing New Chapters in Your Life at any Age—and that I live by. I’d like to talk with you about each of the seven steps and hear your unique take on them. We’ll start with #1) Reshaping a healthier body and attitude. Sid, what was it about Thinking Skinny that resonated with you as you embarked on this new chapter in your life?


Sid: When I learned that I was up for a major role in my first feature film, Chris Mihm’s marvelous B&W 1950s-drive-in-style creature feature B-movie, Attack of the Moon Zombies, ( I knew what wound up 30-feet tall on the silver screen was going to be forever-after how I’d be seen. I also knew cameras notoriously add 20 pounds to one’s appearance, and given that, though fairly fit, I was already on the high end of “normal” as far as weight charts went, I really wanted to drop those 20 just to come out even.

I’d lived the diet yo-yo my entire life and vowed this was to be the end of that self-destructive cycle. I had your book, Thinking Skinny, on my shelf and was drawn to it. I read it in one sitting, let its contents sink in overnight, and awoke the next day ready to lose weight in a sensible, permanent way. I went to a website that calculated how many calories I needed to attain my goal weight, designed and printed out a chart on which I’d henceforth record all I’d eaten each day—because writing it all down made eating a conscious rather than reflexive act.

This wasn’t a “diet.” I know better than to ever tell myself that I “can’t” have something; I’m so rebellious, that would simply ensure I ruminated on said high-calorie item until I broke down and had too much of it. I planned to lose between one and two pounds per week, and I did just that by still eating whatever I wanted to, just in more reasonable portions. I also eat many small meals a day, which keeps my metabolism stoked continuously and wards off my “gorging” out of starvation. In several months’ time, I’d lost roughly 25 pounds and am approaching two years at this new weight. I knew I could see myself onscreen and not cringe, except for my scary-looking 1950s bangs, and those were on purpose. (You can see what I’m talking about in the official trailer at

People have been raving over the positive change in me, which is very nice, but more importantly, I can rave over that change—because it’s my opinion of me that matters most. The best part now is that “moving” (my new, less-punitive term for exercise) is its own reward. For instance, I consider myself fortunate when the lot is mostly full and I can park on the sixth level of a parking ramp and use the stairs instead of the elevator to get where I’m going. I can confidently say I have the energy of someone nearly half my age.

To initially attain and now maintain my weight loss, I also record how much (and what kind of) exercise I get each day. The same website I mentioned earlier gives approximations of calories burned doing several dozen different activities, even housework, so I can monitor that, too. I’ve bought a quality pedometer and wear it religiously every day and record my mileage walked each week. It’s keeping both my four West Highland white terriers and me healthy and committed to getting in two-to-three-mile walks almost every day. You know you’ve made a permanent life change when, instead of say, reluctantly dragging yourself to a gym because you “have to,” you feel absolutely gypped when you don’t “get to” walk/dance/do Pilates, etc. for at least a few minutes every day.

Nadia: I can wholly relate to feeling gypped when I don’t “get to” ride my bicycle or take a long walk. Now let’s move on to #2) Realigning relationships and spiritual self: To use your own words from a previous interview we had on this subject, you’ve suffered a tsunami of loss with regard to your family, friends and relationships. How did you manage to get through it and go on?

Sid: In a few years’ time, I lost my mother, stepfather, uncle, three cats, three dogs, a cockatiel, two of my best women friends and my 15-year marriage. Talk about wiping out everyone you loved and who you thought loved you! I’ll be honest with you; I cried my heart out every single day for more than two years. That’s not hyperbole, just a cold fact. There were times I wondered why I was left here when so many of my loved ones were on the Other Side. I even had thoughts of suicide during these darkest of days.

As a matter of fact, these thoughts became so pervasive at one point, I went to the hospital emergency room one Sunday, hoping I could be kept under observation overnight until I could get started on an antidepressant prescription the next day, when I’d already had an appointment with a psychiatrist. (Clinical depression runs in my family and several of my relatives have attempted/succeeded at committing suicide, so I believed I had just cause to worry about being alone at that time.) What happened, however, still boggles my mind.

I spoke to the ER doctor about all this and, instead of receiving any validation or compassion for what I was going through, he said, “This isn’t a hotel. Go home and call us if you actually have a ‘plan’ to kill yourself.” I was summarily asked to leave the hospital.

I had hit my proverbial “rock bottom.”

If ever there were someone who was made to feel absolutely worthless, absolutely unworthy of the most basic human compassion, it was I right then. Yet, standing in the doorway of that hospital, more completely alone than I’d ever been in my life, something profound happened that changed me forever. I still remember vividly this sensation I had deep in my chest, at my physical core, of a tiny little flame like that of a candle. I was overwhelmed by a certainty that that core light represented the part of me that belonged to, indeed was one and the same as, the greater Universe and was necessarily just as valuable and worthy of love as all that is eternal.

It came to me in rush that I’d just been presented with an astounding opportunity to learn an invaluable life lesson. I learned that, despite being stripped of every external source of support and compassion, I was still worthwhile. I was still worthy of love. I was still valuable even if the only person who could or would consistently show me this was myself. I stood there and wept with gratitude for the lesson I’d been brought, despite how painful it had been in its presentation. I even forgave that heartless doctor and silently thanked him for his callous rejection.

I know now never to turn outward to find validation of my worth. I know, too, never to doubt that I deserve love as much as any other living being. I know, moreover, I need to get that love and acceptance from myself first and foremost, and usually, similar support from others follows.

I joined Emotions Anonymous soon after this event, to rebuild my lost community with people who would understand my struggles and not judge. Through this 12-step program, I learned to give up control over my emotions and give them over to my Higher Power. I never again considered suicide. As I became strong, I was able to help others as I helped myself. I stuck with EA for more than two years and to this day remain close friends with several of the people I met through this literally life-saving program.

Nadia: Let’s talk about #3) Redirecting thought patterns toward the possibilities: I’d love to hear how you do this Sid. You’ve had such an eclectic career, and several interesting businesses. Obviously, you are in tune with “possibilities” in a way not found in many other people.

Sid: On a lark, I once visited a psychic at the Renaissance Festival who told me, almost apologetically, as she read my tarot cards that she saw that I would always be changing from one thing to the next, usually with little to no financial reward, and never settle on one thing as my career. I expect she thought I’d be chagrined about that “news,” but instead I said, “Oh, sure, I know that. That’s what I love most about myself!”

I am very driven by the need to personally challenge myself. I’ll often start some new creative endeavor—like designing jewelry, writing a novel, or singing with an early-jazz band—and always see it through to some kind of completion. However, once I win some award or recognition for it (a blue ribbon at the Bemidji Art Fair, a first-place-for-extended-fiction award and publication in the Close to the Ground: Powderhorn Writers Anthology, and a gig at the Minnesota State Fair, respectively) I feel I can move on to the next thing.

“Been there, done that, moving on now” is a kind of creative mantra for me.

I can only stick with things that inherently provide variety, such as my 15 years running my Proof Positive writing/editing business, which never has me composing or reading the same thing twice. Put me in a cubicle, expect me to follow corporate edicts, and make me punch a time clock and you may as well pronounce me brain-dead on arrival. I’ve structure my life so it will always be interesting for me.

Nadia: Then there is#4) Rediscovering the magic in your life: How do you stay young at heart and maintain the fun and excitement in your life?

Sid: I am childfree by choice and have instead opted to retain much that is childlike in me. The world can sometimes be a downright frightening place, and I feel I’m on a mission to remind adults around me of the importance of playing; of having fun, being creative, joyful, and downright silly; and not giving a fig what others think of them for doing so. I’ve been known to wear a mini dress and go-go boots out dancing to a ’60s band, a poodle skirt and saddle shoes when it’s a ’50s band, and so on. I’m my own walking/dancing retro vignette. People around me either gravitate toward the energy and sense of fun or they back away slowly, shaking their heads; either is just fine by me. I don’t need everyone to like or even understand me.

Case in point, I just turned 50 in January, and I threw myself a birthday wake. I rented a coffin, in which I lay as my friends and family “eulogized” me. I’d frequently pop up to laugh at their jokes or throw marshmallows at anyone who got too into “roasting” me. We held this in a church basement and had a reception of Jell-O salads and tater tot hot dish among the delicious items in the Church Basement Ladies potluck buffet. Afterward, we played board games. Frankly, it was awesome!

I did this because I firmly feel we’ve got it wrong when we hold back on telling our family of choice what we think of them and what influence they’ve had on us and the world in general until their respective funerals. That’s just a bit too late. Sure, I think my mother’s spirit enjoyed the 21-squirt-gun salute we gave her at her memorial service (which devolved into a water fight, just as she would have wanted), but it’s important to share these things with our loved ones while they’re here, too.

I try to be a role model for authentic eccentricity. Thanks to this event, I got to learn that I have a sort of fan club of four 20-something young ladies who all say they want to be me when they grow up. I quickly correct them and say, “There’s no ‘growing up’ involved if you really want to be like me.”

Nadia: #5) Removing lingering regrets: Each of us must find ways to do this. How have you managed?

Sid: Most of us are more likely to be kinder to strangers than we are to ourselves. To correct that inequity, start by admitting your mistakes without blaming others in any way for your actions, even if they’re deeply involved. You’re no one’s victim as long as you learn and grow from any experience. Forgive yourself for things you were too afraid to do, for opportunities you missed, and take baby steps toward finding and freeing your inner courage—and reward those steps. Forgive yourself for wishing and hoping you could change someone else to attain the love and acceptance you could/should have been giving yourself all along. Forgive yourself for accepting responsibility for things that really were beyond your control. The fact is you’ve screwed up in the past; you’ll no doubt screw up again in the future. Just try not to keep screwing up in the exact same ways over and over. That’s nuts. Instead expect to screw up once in awhile in unique ways in your attempts to try out new ways of being. It keeps things interesting and proves you’re still growing, evolving, and becoming your finest you.

Nadia: #6) Rewrite a new life chapter: Sid, when I first heard you tell the story of how you set your sights on appearing in a Christopher Mihm film, and how you went about that, it was obvious to me that you set a goal and focused through to completion. Would you tell it to the readers here?

Sid: I had read about this local filmmaker who was dedicated to making black-and-white, 1950s-style horror movies in honor of his dead father, with whom he’d always watched these kinds of films as a kid. His stepdaughter had also been diagnosed with cancer and while she fought to recover (she’s since passed her five-year cancer-free marker—yeah!), he thought to himself something like, “What the heck am I waiting for? I’ve always said I wanted to make one of these movies. The time to do it is now.” That attitude and those circumstances really resonated with me.

My husband and I attended the world premiere of Chris’s third movie, Cave Women on Mars. I’d never been so grateful that I wasn’t lactose intolerant in my life (it was so terrifically cheesy, you see). I determined then and there that before I died I had to have something to do with one of this guy’s movies.

So I decided to stalk him.

Actually, all that entailed was one email, but “stalking” sounds more melodramatic. In my email, I mentioned that I was willing to be an extra, a prop mistress, a dead body, whatever he needed. I downloaded a photo of my high school theater trophy that named me Outstanding Dramatic Performer of 1980, with the caption “Proof I’m talented.”

I’d also read that he liked to write his movie scripts with places in mind where he knew he could shoot rather than have to build sets or scout locations. So, I offered him the use of our third floor dance studio, which is decorated like a ’50s malt shop, and invited him to visit it sometime. A month or so passed before he finally responded, but he took me up on my offer to check out the room.

Worried we might be serial killers or something, Chris brought along his star of Cave Women on Mars, Dan Sjerven, as his bodyguard. They wound up hanging out with us for three hours. We all knew an important, meant-to-be connection had been made.

Two movies later, my husband and I were given walk-on roles in Destination: Outer Space with one line apiece—actually the exact same line. We each got to say, “Greetings, Wise One.”

I helped out as “script Nazi” after our scene was shot (i.e., reading the robot’s part and making sure leading man Josh Craig remembered all his lines). Perhaps it was then that Chris noticed I could actually speak more than three words of his purposely clunky dialogue in succession and tucked away that knowledge for future reference because he gave me a leading role in his next movie, Attack of the Moon Zombies.

Initially, his lovely wife, Stephanie, was supposed to play Administrator Ripley and I was to be Dr. Rutherford, a much smaller part. But as Chris wrote the screenplay, Ripley’s role got a lot bigger, and Stephanie, who had just had a baby and was working full-time, said she didn’t want to have to memorize that much dialogue. She told Chris, “Give the role to Sid.” That’s the nice version of how it happened. If you ask me, I think it was really because Ripley needed to have a bit of “bitch” in her and Chris knew I could definitely bring that to the table more than the truly sweet-at-heart Steph.

Anyway, long story short, the movie rocked the world, I was nominated for a Best Actress in a Zombie Movie Dead Letter award from, and I was subsequently cast as Leigh, the eccentric dog lady/haunted-home owner, in Mihm’s current film, House of Ghosts. This movie—an homage to director William Castle of The Tingler, House on Haunted Hill and 13 Ghosts fame—was actually filmed in our house though, ironically, not in the third-floor malt shop. That’s going to be featured in this summer’s giant-spider movie.

Nadia: And now #7) Reveal and live your intentions: Sid, please bring me up to date on your activities, there must be some new things in your life now, and on the horizon.

Sid: A few years back, I made a deal with myself that I wouldn’t audition for any plays anymore because of the time commitment and would only do them if they sort of fell into my lap—so I’d know they were meant to be. That philosophy got me the roles of Gertrude in Steve Martin’s comic play The Underpants, Mrs. Ellie Banks in Father of the Bride, and Jeri Neal in The Dixie Swim Club.

Since making these Mihm movies, I’ve been in two short independent films with burgeoning filmmakers Timothy Printup and Katie Cragoe, Treasure Box and Breaking for Home, each starring opposite the talented young actress Kira Pontiff. I’m thrilled to have been a part of their maiden voyages into moviemaking and really respect that they set a goal to do these two films in two months and made it happen. I always want to support and encourage those who actually follow through on their dreams.

My costar in House of Ghosts, Justen Overlander (Ray), a hilarious writer/actor/director himself, offered me the role of Goldie in his new movie, The Bequeather. It’s a comedy along the lines of Young Frankenstein set in the 1950s—my favorite era! We start filming in May, and I couldn’t be happier to be working with Justen and Mike Cook, another of my costars from Attack of the Moon Zombies and House of Ghosts (Dr. Edwards/Harlan, respectively) in this new movie.

And as I mentioned earlier, Chris Mihm is working on a giant spider movie, as part of a drive-in double feature. I know I’m to be in it in some capacity, but I don’t know exactly what my role will be yet. I’m game for anything. I’ve even offered to let his son’s tarantula climb on me.

We’re opening up our 1886 Victorian home to the Minneapolis/St. Paul Home Tour at the end of April, in time to promote the May 23, 2012, premiere of House of Ghosts at the Heights Theatre in Columbia Heights, Minn., the oldest continuously operating movie theater in the state. It has an awesome Wurlitzer pipe organ that comes out of the ground and is played before the movie. I’m busy promoting the heck out of this event and seeking the perfect vintage evening gown from a thrift store to wear on the red carpet that night. There’s a fashion war going on among the diehard Mihmiverse fans that are planning to dress up for the event, and I can’t be outdone. And yes, we take our premieres very pseudo-seriously. Who wouldn’t? There’s going to be free cake for heaven’s sake!

In between all of that stuff, I’m sure I’ll “work” now and then, too.

Nadia: I can appreciate your willingness to risk failure.You “get it,” and the potential rewards are unbelievable if you can let go of this fear. What advice do you have for others who seek to follow their passions as you have yours?

Sid: I’ve often joked that I’ve failed at more things in my lifetime than most people do in a dozen lifetimes. But the word in need of redefining there is “failed.” I’ve only failed at anything if its success is measured in dollar signs, brand-new sports cars and vacation homes in the Bahamas. For me, success is measured by how many of my various talents I’ve been able to explore in unique ways, regardless of the fiscal payoff, and how much my creativity has added to the value of my life and the lives of those around me.

For instance, the book I was spiritually guided to write after my tsunami of loss, Good Grief: Finding Peace After Pet Loss, has won four literary awards—including “Best Self-Help Book of the Year” from Premier Book Awards—and I continually hear from people about how much it has helped them navigate their grief after losing a beloved animal companion. Is it a New York Times Bestseller? Nope. But its topic has staying power; it continues to sell at a fairly steady pace and is even coming due for a second edition printing. I risked a lot of my own money to get it published and have earned back every penny and am now actually a little in the black. Writing it has led to my getting public speaking gigs, too, which represents another modest revenue stream.

Anyone can follow my circuitous path to creative fulfillment. The first thing you have to do is decide that personally providing your household with financial security is a low priority for you. (Inheriting a huge trust fund or marrying a zillionaire can help here.) That doesn’t mean you can’t or shouldn’t be responsible, respect money, and even aspire to be rich beyond all imagining—heck, it may even be in your cards to wind up this way, so you should be ready for that possibility, too. You just have to be OK with the uncertainty that risk-taking brings with it and value what the process itself will bring you more than you do a steady paycheck.

To ensure domestic harmony, make sure your life partner is on board with this plan, of course. My darling hubby has a quasi-reliable income (after a 20% pay cut across the board two years ago at the company where he works, that is) to ensure we’ll at least cover the mortgage payment. Though not getting me off the hook for pulling my own financial weight, this frees me up to do a bit more of my soul-feeding stuff without too much guilt that I’ll render us homeless.

Lest you think I lie around eating bonbons all day, however, I’ll have you know I also operate several other home-based businesses: Proof Positive Editing, my bread-and-butter proofreading/freelance writing/wordsmithing business for the past 15 years; Nonconformist Nuptials, wherein I write and officiate wedding ceremonies for those who balk at the traditional, cookie-cutter approach; and Two Right Feet Dance, through which my husband and I teach beginning social dances like swing, rumba, waltz, etc. Our motto is “Forget Fred and Ginger—we’ll have you dancing like Fred and Wilma in no time!” (This makes particular sense because we have a Flintstones shrine in our basement that has been on TV and in the newspaper.) Each of these brings in a little bit of money, costs me almost nothing to operate, and lets us write off sections of our home as tax deductions.

I’ve even finally found a way to make a little bit of money from my acting. (Alas, there’s been no money so far in the much-beloved B-movie or community theater worlds in which I dabble, but I do these for my soul anyway.) I am paid to act through the Standardized Patient Program at the University of Minnesota. I’ve gotten to portray various patients for med students, dental students, psychiatric nursing students, veterinary students and even law students to practice their communication and practical skills. Over the past couple of weeks alone, I’ve gotten to portray a woman who is “itchy,” receive 12 head-to-toe physicals (it’s been confirmed that I’m quite healthy, thank you), AND settle a fictitious lawsuit through mediation for $5 million! I get to exercise my improvisation muscle and get paid a bit for it. Happy times!

I’ve weathered this great recession better than most because, frankly, I’m used to being broke and subsequently had less to lose both financially and emotionally in the economic downturn. I believe I can adapt to change a bit more easily than most because I’ve always had to diversify or die. But above and beyond just being a means of survival, to me, each of these endeavors represents a different colorful thread in the gorgeous tapestry of my life. I don’t do beige. Instead, I say, “Bring on the rainbow hues!”

Sid Korpi is the human caregiver to seven rescued pets, a compulsively creative person, and is known to act in B-movies for food. She is grateful to be married to an understanding man who thinks life with her and all the critters is an adventure. Her websites are www.goodgriefpetloss.comand www.tworightfeetdance.comand

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This dog is one amazing actor! He makes me want to purchase a rider on my own insurance policy!—Sid

Ever aspired to being in the movie biz? Here’s your chance! As little as a $10 donation to fund this independent ’50s-drive-in-style B-movie masterpiece by award-winning director/writer Christopher R. Mihm (“Attack of the Moon Zombies”) can land your name in the credits on the big screen as an associate producer!!! Besides, it’s my first big role in a movie and I want the director to be able to afford to feed me and the other actors on long days of shooting!

Click here to learn how!

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